I'm all about this cover, but I'm glad that Goulding's version was used on the "Fifty Shades of Grey" soundtrack, because Sathsara's version is more or less the epitome of a libido destroyer.
I can't verify this in any way, but I'm pretty sure Superchunk got their name from the transition of milk into cottage cheese the second that you walk out of the grocery store into the oppressive, oppressive August heat.
It's a cruel. Cruel summer. Leaving me here with a freshly purchased gallon of super chunky milk.
I imagine that the phone conversation between Edmonds, Washington jazz vocalist Andra Day and a Pixar executive went something like this:
Pixar Executive : Andra, you have a lovely voice, and we'd like to hire you to sing a song on the soundtrack of the forthcoming animated film "Cars 3." Are you interested?
Andra Day : Yes!
Pixar Executive : It's a cover of the 1984 Bruce Springsteen single "Glory Days." You've heard that song before, right?
Andra Day : Uhmmmm .... I think so?
Pixar Executive : So, you can cover it? Like, you have a fairly good grasp on the song structure and timing and meter and all of that?
Andra Day : I'm a professional. I think I can figure out the timing and what not.
Here's his version of "Watermelon Sugar," the 2019 Harry Styles hit that is sure to drive all of the ladies at the Renaissance Faire into fits of near climactic euphoria.
And, the marriage of Death Cab's distinctive vibe (plus the rugged good looks of front man Ben Gibbard) with the waves of nostalgia brought on by the mid '90s cautionary tale is sure to be a favorite of Jessica Bell, who celebrates her birthday today!
Happy Birthday, my love! Hope this helps make it a bit happier... even with the lyrics about AIDS and gang related shootings and what not.
Brooklyn, New York husband and wife team Luck & Senses combine alluring vocals and an equally tantalizing rhythm section in their version of the 2007 Feist indie pop song "My Moon My Man," that is presumably written about Mac Tonight.
While Cyrus cuts the party short at 3:28, the band adds a couple of minutes to the track, shouting out names of states and some Canadian territories... because Saskatchewan should definitely be invited to a party in the USA. They could bring the chips and the guaranteed paid maternity leave.
Surrey, United Kingdom singer-songwriter Alice Lamb's version hasn't made this prestigious list yet, but if ten of us can stream this cover repeatedly each day, she should be able to reach that milestone in just shy of 813 years.
Love it or hate it, Hod HaSharon, Israel electropop looping artist (and winner of the fifth season of Hebrew reality television singing competition HaKokhav HaBa) Netta's version of Danish dance group Aqua's crossover hit "Barbie Girl" is.... it's really something.
I think that she should play a few dates with them. The Aqua/Netta tour. Eh?
Mililani, Hawaii trio Side Salad double down on the island flair of Rupert Holmes's tale of two jaded lovers independently deciding to commit adultery, then rekindling their once steamy romance following the discovery of their shared affinity for alcohol and beach porkin'.
The song was written well before the advent of Tinder, which is good, because a chuckle at O'Malley's bar during a rendezvous between two would-be cheating spouses that "met" through classified ads would have been a simple swipe left followed by the serving of divorce papers in the modern setting.
Maybe they're both Greek and Italian.... like Moussaka Parmesan.
They repeatedly sing about a brimful of Asha on the 35, where Wolverhampton indie rock band Cornershop had sung about a brimful of Asha on the 45 in their 1997 single that topped John Peel's Festive 50 Countdown for the year.
Why this discrepancy of 10?
My guess is that it has to do with the band's fear of overdosing.
They're like "No.... no.... that's far too much Asha. Please, reduce the amount of Asha by 22%."
Though their YouTube channel was launched in 2021, the band was formed in 2015, when guitarist (and, based on this video, doppelganger of Hurley from "Lost") was 13 years old.
Tulsa, Oklahoma by way of Hays, Kansas alt-metal Christian band Pillar proselytize with their rehashing of Collective Soul's 1993 debut single that has become one of the archetypal '90s rock songs, hailed by Billboard and VH1 as one of the greatest songs of the decade.
Oddly, the iconic "Yeah" that bridges from verses to chorus is so low in the cover version's mix that it's barely perceptible.
Why? Just.... why? That's the best part of the song, Pillar!
For years after I presented him with these tapes, they were the only thing that he listened to.
On long road trips, we'd pop the first installment into the tape deck of his Econoline (at least I think it was an Econoline. It was a van. With a tape deck.) and listen reel to reel before repeating the process with tape two. And three. And four.
I thought it would be fitting to select a CCR song for his birthday. And what better one than "Fortunate Son?" Because, if you don't listen to the lyrics, the title sounds like a guy who had a pretty great Dad. Like me.
I'm pretty sure he'll dislike the Celt-punk execution by Quincy, Massachusetts band Dropkick Murphys. But, eh. Consider it another crappy birthday present.
Cornflakes were a cereal invented by the Kellogg brothers in the late 19th century to provide patients at the Battle Creek, Michigan sanitorium a simple, pure, and unstimulating breakfast of toasted maize.
John Harvey Kellogg, a nutritionist and devout Seventh Day Adventist, was against adding sugar to the recipe, as he intended the bland flavor to be instrumental in suppressing urges among those partaking of the cereal.
In short, cornflakes were brought into being to keep patrons of their health resort from waxing the dolphin.
Forty one years and four days ago, a fledgling cable channel debuted with footage of a rocket launch. As the astronaut exited the craft, he hoisted a flag with the channel's logo, and Warner Cable executive John Lack announced "Ladies and gentlemen, rock and roll."
The first video aired on MTV was "Video Killed the Radio Star" by British new wave artists The Buggles.
In early 2000, Killing Heidi, a band fronted by teenaged vocalist Ella Hooper, covered the 1995 Grunge single "Tomorrow" by fellow Aussie high schoolers Silverchair.
It's Lughnasadh, one of the eight seasonal turning points celebrated in the Celtic pagan tradition. According to British website "The Goddess and the Green Man," today marks the union of sun and earth, and is a celebration of the abundance of grain gathered during this first harvest.